Keeping Busy During a Pandemic

Since the lockdown began, putting a hold on gathering actors and crew together in one space, the pursuit of telling stories hasn’t ended. To date, here are the recordings of script readings I’ve been in:

Antony and Cleopatra (Menas)

Julius Caesar (Calpurnia)

Jesus Hopped the A Train (Mary Jane Hanrahan)

Taming of the Shrew (Bianca)

The Tempest (Alonso)

Coriolanus (Volumnia)

A Midsummer Night’s Dream (Snout)

The Comedy of Errors (Dromio of Ephesus)

Richard III (Hastings)

Henry VI Part 3 (Hastings)

Henry VI Part 2 (Duchess Eleanor)

Henry VI Part 1 (Alencon/Countess of Auvergne/Woodville)

Henry IV Part 2 (Northumberland)

Henry IV Part 1 (Northumberland)

Richard II (Northumberland)

Macbeth (Malcolm)

Romeo and Juliet (Chorus/Prince)

The Merchant of Venice (Gratiano)

Cymbaline (Imogen)

Much Ado About Nothing (Ursula/First Watchman/Friar Francis)

King Lear (France/Gentleman/Third Servant)

Two Gentlemen of Verona (Lucetta/Musician)

As You Like It (Jacques)

The Last Days of Judas Iscariot (Henrietta Iscariot/St. Thomas)

The Bathtub Girls (Bessie)

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